The Proper Preparation of Haint Meat: A Pamphlet for the Edification of the Public

In times of economic distress and great privation, it seems fitting to peruse the afterworld for alternative comestibles. As the price of animalistic meat, by example, becomes more dear, one must seek quasi-organic venues for the basic proteins. But whereas the restrictions of species, edibleness, poisonous issue, extinction, fictionality, taboo, ethos, vainglory, and mobility forbid and/or forfend the consumption of sundry animals and protozoans, no laws of man, god, daemon, or avatar prevent the butchering, preparation, and mastication of homo espiritu, more casually known as the human ghost.

Allay your fears, gentle reader! Though our society teaches the avoidance of dearly departed souls, modern science assures us that to invite the ghost-creature into our diet (and thus our alimentary canals) is to ensure a longer, more salutary, and fulfilling existence for ourselves.

While difficult to apprehend, please to remember that the ghost desires to share its essence with the animate. They of ectoplasmic construction who spend centuries flitting about, moaning with melancholy, and rattling chains in search of acknowledgement and validation from the material world would graciously lay their non-corporeal corpuses across our barbecue grills, subjecting themselves to momentary soul-death for the knowledge that they yet exist, if only in our abdomens. Consider these simple admonitions and instructions in capturing, cooking, and consuming the departed, and how unlife can raise the quality of your life.

Q: I am discontented and nerve-jangled. Is this not anthropophagy?

A: It is not cannibalism. Forfeiting life, the ghost ceases to be true humankind. Likewise, the substance one consumes does not occupy the selfsame status as human flesh.

Q: Does this not destroy the ghost’s soul, preventing eternal happiness or damnation?

A: It does not cost the ghost either for overlong. The soul is vast. limitless, and self-regenerating. By absorbing and entangling its nutriment essence with your physical form, you permit the death-beast a new level of existence. Unsurprisingly, the gratitude of the dead is substantial and warming. You will feel the salubrious effects of spectral digestion almost immediately. It is considered, though not widely reported, that 95 percent of all major deities shall gaze down upon you during the eidolon repast, praising your munificence of grace.

Q: Does this not destroy my soul in turn?

A: Nay. Alongside the aforementioned benefits, your soul shall be replenished, indeed cleansed with ectoplasmic roughage, if not burnished entirely. You shall furthermore be appended with a golden corona perceptible by the living and dead as a feeling of ease, well-being, and slight euphoria. And your bowel movements be pronounced and glorious to behold.

Q: Truthfully, is there no haint meat that is harmful?

A: No haint meat is harmful, in that there is no injury to the consumer’s physical well-being or even spiritual health. But consumption of criminals or the guilt-ridden who have passed on may create a feeling of ill-ease and dyspepsia. Their souls are saturated with condimental emotion ridden with evil and heartsickness. Best to equivalent them with a hot dog purchased at the faire.

Q: And how-so, wise consul, does one capture the spiritual esculent?

A: With forbearance and time, and a few simple household materials. Gather together the following:

* A silken cord
* Three (3) iron nails (unbent)
* The ulna of an ungrateful man
* Star gravy captured in silver-threaded sack
* Seven (7) thylacine feathers
* Sealable plastic bowl (8 oz.)
* Candy, pref. with a hard outer shell and a warm inner life.
* Two (2) eggs, enfolded with the aether
* One (1) cup of brown sugar, emboldened
* Holy text (pref. written in the angels’ tongue)
* Angel tongue
* Ball-peen hammer
* Emotional wrench
* Spiritual Inculcator, 230 V (pat. pending)

1. Visit the place of haunting, and seek, through local lore, the terminus of the spirits.

2. Combining the worthy ingredients in the sealable bowl, mix them throughly until they have vanished, never to be seen again, except in one’s nightmares.

3. Place the bowl centrally in the preferred loci. Have a care that you do not wear a color of offense to the revenants.

4. Wait in the darkness with cord and hammer, chewing unmindfully on the angel’s tongue. You may become aware of a slightly bitter taste of fear. ignore this, or be branded a coward and wear the white feather of the cozening poltroon.

5. Plug in the Spiritual Inculcator. If you cannot find a 230 V outlet in the Western Hemisphere, alas.

6. Activate the Spiritual Inculcator with your smallest impulse. Stand back apace and travel abroad as it warms up, for this is the time of challenge.

7. As the silhouetted tendrils dance about the phantasm, weave and gambol to avoid the spirit’s psychical hooks. If caught in your brainpan, they may lead to discomfort, hectoring, and harrowing of the soul. Remove with tweezers and a suspension of cornstarch and blood.

8. Soon, soon, the tendrils shall ensnarl the eidolon. Calm its postmortem madness with a gentle, rhythmic stroking of its hair or exposed skull, reciting, “All is well. All is well. Within my belly soon thou shall dwell.” The shade will quaver with relief that its eternal wanderings are no more. As a side benefit, a becalmed spirit produces the sweetest and juiciest meat.

9. Release the spirit from its bonds, shake whatever appendage it offers, then direct it to a butcher’s block made of hamadryad wood.

10. Stretch out the specter across the block. Taking a butcher’s knife blessed by a vagabond, begin cutting the silver cords along the astral joints.

11. Whilst cutting, sing merrily of life’s pleasures to remind the spirit of what it once had. if it joins in, harmonize, stepping aside during alternate verses. Should the ghost possess a mandolin, allow it the joy of a final solo during the bridge.

12. Removes the cuts of beef in this pattern, and observe the raisons d’être:

Necks and clods—For smooth hair and strengthened bonework

Chuck and blades—For sanctity and clean teeth

Silver loin—For bamboozling of the underworld and magnificent thighs

Rump—For the heartstrings’ lubrication and the lungstrings’ education

Silverside—To mock the gods who punish us with their capricious frivolity. Also good for soups.

Topside—For the brain cells, that they do not become bedizened with vanity

Thick rib—To increase the vision until one gazes beyond time and space and into one’s own soul, for that is the truth of our existence

Thin rib—To increase the vision until one can discern street signs from very far away

Brisket—To ameliorate the shyness of the sex organs, so they may emerge from their shells and enjoy the company of other shells

Shin and leg—To increase the pituitary gland’s endurance until it can hammer through the hardest substance known to man—the heart of a wicked child

Flank—To emblazon the circulatory system with inner tattoos declaring in pre-Adamic language humankind’s emancipation from fear, ignorance, and want

Thick flank—To provide regularity

Feather blade—To bolster the efficiency of the earlobes, so their true purpose may be revealed, bringing the consumer of haint meat the powers of invisibility, telepathy, and echolocation.

Q: And how shall the meat of ghosts be prepared, I ask thee?

A: In much the same manner as other flesh: broiling, frying, souring, sweating, blanching, creaming, blackening, shirring, pickling, steeping, trepanning, embellishing, broadening, punishing, embarrassing, adjudicating, demolishing, and parboiling.

For picnics, barbecues, and icebreakers, marination is recommended. Slither the haint meat into a large trash bag filled with chopped onions, walnuts, soy sauce, blackberries, garlic, catsup and ketchup, vile intentions, elbow grease, shoe leather, bricks from the path to Hell, and an F minor chord (Puréed). Stow it away in your attic, beside the holiday decorations, unfashionable clothing,  and unknown dreams, and forget about it until the day of the event.

That morning, gasp aloud at your idiocy, and rush to the attic to recover and perhaps save the dish. But it will be too late. Far, far too late. Throwing open the attic door you will behold a Gigglebeast, vilely propped upon its haunches and supping most indelicately upon your stores. At this point, you must order takeout.

Or die trying.

 

 

P.S. After a idle search for “ghost meat” online, I discovered Tracy Morgan/Jordan (probably) coined the term. Foo! I have changed the title of the story because I hain’t no plagiarist.

We Are Awake

We are awake because daughter needed a 11 p.m. feeding and son needed 12:30 a.m. reassuring because his stuffy nose is making it hard to sleep. Also, he required a medicinal snack of club crackers. I hope the crackers do the trick, because this house has been under a fucking plague for what seems like weeks.

Generally, I’m still trying to finish the novel, which involves prolonged periods of talking myself into it even though I know it will all come to naught, because it is growing increasingly diseased and boring simultaneously.

Oh, but at least there’s the satisfaction of a job well done.

And my reward in Heaven.

The Heaven where the angels are stupid enough to reward talentless, over-the-hill hacks with hearts full of hate.

But what I’m REALLY looking forward to is the common refrain of “I don’t get it.”

Essentially, chief, it’s a heartwarming tale of revenge.

No wait, it’s a horror story without any common horror elements.

No wait, it’s garbage.

More pleasantly, I did get to see a few new buildings with strange tales today. Watch Steppes of Chicago for the subsequent post.

I am as bitter as bitter coffee filled with Angostura Bitters.

All Aboot Canadian English, Eh?


A friend at work just passed this along to me. She worked as a designer in Toronto for a few years, and ended up toting it back to the states, where it remained wrapped in plastic until she thought, “I know! I’ll give it to the word nerd at work!” (She didn’t really say that.) It’s fascinating to read a book written in your own language yet which seems slightly “off”, owing to subtle variations in spelling, definitions, and the like. I’ve had that experience in many a dream, though the reading usually ended up summoning some eldritch horror. I find it heartening as well to see that the Oxford folks took the time to include entries on Canadians-Prime Leonard Cohen and William Shatner.

O, Muse, Sing Within Me!

Morning pages are a great idea, and I try to fill at least a page in my notebook every day (usually with digressions on art, rants, and segments of nonexistent novels). At the same time, as I write them, I imagine a suburban housewife in a flowery maxi-dress, sipping chamomile tea on the back porch, and dashing down her thoughts in a pressed-flower notebook before the baby wakes up from her nap. By the way, she’s writing about the loveliness of the crocuses and amaryllises in her prissy little garden.

You know what that is? It’s a latent, misogynistic, anti-intellectual, anti-aesthetic urge. One that’s interfered with a LOT of writing and should immediately fuck off.

I’m working on it.

Crab’s Cradle

“But there was more to it than just coping with such traumatic situations. In later life, despite being hailed by so many as an American genius, Vonnegut felt that the literary establishment never took him seriously. They interpreted his simplistic style, love of science fiction and Midwestern values as being beneath serious study.”

Never minding that Vonnegut was due for an inevitable “Your great hero was flawed! FLAWED!” biography, there’s a common trope among successful cross-genre writers that’s always niggled at me. I’ve never understood the concern among such writers to be taken “seriously” by the “literary establishment.” What exactly does that mean, to whom do they refer, and what is the root and extent of their desire for acceptance? Can we assume David Remnick refused to go shoe shopping with Kurt? Did  Kingsley Amis blackball him when he applied to the Junior Woodchucks in fourth grade?

The history of literature is a jittery timeline of yesterday’s young firebrands becoming today’s stodgy old poops, making sure the newer, angrier kids can’t sit at the big table until they’re old and grey (Kerouac died a broke drunk, while Burroughs became a chevalier of France’s Ordre des Arts et des Lettres), or grow willing to play according to the rules of the universities, lit journals, and writing workshops. Or so the story goes. In actuality, the world of literature has become so fractured and fragmented (and the need for validation diminished by the instant gratification of the Internet—nowadays even a halfway decent writer can have a bushel of fans and supporters), needing approval by the establishment seems charmlessly archaic. I remember the time I attended a party thrown by a certain well-known magazine. I spoke with an editor who gave me a pleasant, but head-patting speech of encouragement, telling me that if I worked really hard, maybe I’d get published by a real magazine like his. I wanted to tell him, “But… I’m published and already relatively content, chum. More recognition would be nice, but… Well, forgive me, but turning up in your slick yet tepid mag would feel like a artistic step back for me. Of course the check would be nice.” Yes, there might be one or two mags I’d sell my children’s souls for a chance to appear in (Car and Driver, why haven’t you ever called?), but overall I have no one I NEED to impress other than my friends, family, and myself.

To me the best writers are the loners, Holed up in their attics, apartments, and cabins, they occasionally interact with their editors and publishers, but rarely attend the right cocktail parties (Capote notwithstanding, though that’s how that particular bird lost his way). They never needed validation. All the real work and gratification took place between their ears.

Reading about big-time writers like Vonnegut and Hunter Thompson complaining about a lack of recognition is both quaint and perplexing. It makes me wonder what exactly they were after since they were pretty well-recognized in their own lifetimes. It gets especially silly when the writer laments his lack of “acceptance,” despite the reprints, book signings, readings, honorary doctorates, hot, ready, and willing fans, commencement speeches, talk shows, multiple translations and anthologies, ongoing fluff assignments for big bucks, merchandising, royalties, film and TV cameos, inclusion in the curricula of a thousand thousand colleges, and insertion in the memory of every human being who read their work and heard them speaking to their deepest heart of hearts.

Recognition?

God bless you, Mr. Vonnegut, you imbued a phrase as simple as “And so it goes.” with immortality. And yet that wasn’t enough? Or was that compassionate grump act just covering up a basic, irritable crank?

Captain Prolix

Mike: So, are you going to finish that novel?

Me: Yes, eventually.

Mike: Well, how much is left? Where are you at?

Me: Chapter 20 of Section 2.

Mike: (Gapes) Really?

Me: Wait a second. (I leave and return with the print-out of Section 1) Here it is.

Mike: That’s it?

Me: No, that’s just book one.

Mike: (Gapes again) Can I see it?

Me: No, you might read it.

Mike: Just let me see it!

Me: Okay, but no reading.

Mike: (Flips through it without reading.)

Me: So, yeah, I hope to finish it during leave.

Mike: You better not die and leave me with some 14,000 page Henry Darger manuscript.